Vocal Showcase 2016

2016 NATS Ontario Vocal Showcase

2016 NATS Ontario Vocal Showcase (formerly NATS Ontario Auditions) is scheduled for Saturday, 19th November at Western University in London, Ontario. 

Registration NOW OPEN at natsauditions.com!

NOTE: Registration Closes in October (exact date TBA).

Coming Soon: UPDATED Frequently Asked Questions Document that answers ALL your questions including: who can participate, repertoire requirements, general schedule of events, etc.


2016 NATS Ontario Fall Meeting & Social

The NATS Ontario Fall Meeting & Social will be held on the evening of Friday, 18th November at the Ivey Spencer Leadership Centre in London.  Further details (including cost and agenda) will be posted soon!

Singing Voice Specialist Peggy Baroody: A lifetime of singing


NATS Ontario is pleased to present Singing Voice Specialist Peggy Baroody

Saturday, May 7, 2016
Faculty of Music, University of Toronto

Participation by advance registration!
Early bird registration until April 17, 2016.

NATS Ontario Chapter Members $60.00
Non-Chapter Members $70.00
*Morning Coffee Break and Catered Lunch included
Register by PAYPAL links on this website.

Questions?  Contact Alison Moodie at projects@natsontario.org 
All chapter memberships must be paid in full by May 1, 2016 – No tickets at the door.
Schedule of Day’s events:
8:30 am     Coffee Time
9:00 am     NATS Ontario Chapter AGM
 and Executive elections
10:00 am   Registration Check-in & Coffee Break
10:30 am   Peggy Baroody:
“Common Vocal Injuries Across Musical Genres: A Teacher’s Guide”
12:30 pm   Catered Lunch
1:30 pm     Peggy Baroody:
“The Aging Voice: Considerations of a Lifetime of Singing”
4:30 pm     End of Day
What is a Singing Voice Specialist?
A Singing Voice Specialist is a highly specialized area of teaching requiring extensive knowledge of vocal anatomy, neuroanatomy and physiology, a thorough understanding of all types of voice disorders and the effects of these disorders on voice quality and production and a working knowledge of current medical paradigms as well as researched alternative methods for treating voice disorders.

Margaret (Peggy) Baroody is widely recognized as one of today’s leading experts in the field of clinical singing voice rehabilitation. Her patients include some of the leading vocal performers of our time. She also maintains a busy private voice studio, primarily focused on the instruction of professional singers.  She is a highly respected lecturer on the voice, particularly regarding issues of vocal health and rehabilitation. She is the senior voice clinician and Singing Voice Specialist with the practice of Drs. Robert Sataloff, Karen Lyons and Thomas Spalla in Philadelphia. Ms. Baroody also treats numerous patients referred to her by laryngologists, voice clinicians and voice teachers from around the country as well as abroad.

In Ms. Baroody’s private voice studio, the majority of her clientele are classical singers.  Her students also include selected musical theatre, R&B, jazz and pop singers seeking to further develop established vocal techniques. Students from her studio have performed on many of the world’s major opera stages and have been the recipients of numerous awards and scholarships, summer festival positions, and other professional engagements

After finishing her undergraduate and graduate degrees in vocal performance, Ms. Baroody completed post graduate studies as a 4-year student at the prestigious Academy of Vocal Arts in Philadelphia.  Early in Ms. Baroody’s extensive performing career as a professional mezzo-soprano in opera, oratorio, and recital, she began to expand her involvement in the field of voice to include private teaching. It was then that she discovered her love of vocal pedagogy.  After teaching for 15 years, Ms. Baroody was approached by the internationally renowned otolaryngologist Robert T. Sataloff, who invited her to be trained to work in the rehabilitation of injured voices in his Performing Arts Medicine practice in Philadelphia.  That opportunity was the beginning of a collaboration that has lasted for over 20 years.

Other contributions to the field include her writings on the subject of singing, particularly with regard to the injured voice and vocal health. She is the author of over 25 published articles on voice and a contributing author to numerous articles and books including VOCAL HEALTH AND PEDAGOGY, and PROFESSIONAL VOICE: THE SCIENCE AND ART OF CLINICAL CARE.  She has been a featured lecturer for The Voice Foundation’s Annual Symposium: Care of the Professional Voice, the National Association of Teachers of Singing (NATS) Annual Conference, The American Choral Directors Association, Chorus America, and The Canadian Voice Foundation as well as numerous colleges and universities. Ms. Baroody has further demonstrated her commitment to the vocal health and education of the professional voice community with the presentation of countless in-service programs.

High School Voice Intensive (RCS Summer Program)

HS Intensive


This 6-day summer intensive course is designed for singers ages 14-18. Singers receive daily instruction in vocal production/musical interpretation, acting, movement, diction, and musicianship skills, as well as performance opportunities in masterclasses and a culminating performance.




Click here for full details.


University of Toronto: Choral Conducting Symposium 2016 with Rollo Dillworth

Registration is open for the University of Toronto Choral Conducting Symposium 2016.

For secondary school, church, and community chorus conductors. This intensive one-week seminar is an excellent opportunity or music teachers and community chorus conductors to gain professional development and continuing education credits. The combination of learning and camaraderie of fellow music teachers and other conductors makes for a stimulating and enjoyable experience.

Guest Faculty: Dr. Rollo Dillworth
Resident Faculty: Dr. Hilary Apfelstadt & Dr. Lori-Anne Dolloff
Voice Instructor: Elizabeth McDonald

Deadlines for application:
May 1 (Master Class); June 1 (All other participants)

Please visit the website to download the registration form.
Facebook event here

2011_08_25  Boyer College of Music and Dance Faculty Rollo A. Dilworth

Rollo Dillworth, guest Master Class Clinician

Screen Shot 2016-03-05 at 9.50.46 AM

OpéraFest Toronto – 2016

ManoSinistra is accepting applications and holding auditions to choose the very best to participate in 2 weeks of masterclasses and rehearsals in preparation for our gala concert this coming May 6, 2016 7:30pm at CBC Toronto’s Glenn Gould Studio. The evening’s program will be a showcase of assorted opera arias and excerpt scenes from the lyric repertoire of Grand Opera.

We are thrilled to announce that our Master teachers will be:

Jeannette Aster : “The Body Sings” – April 1822, 2016

General/Artistic Director: L’Academie de la Roche d’Hys (Bourgogne, France) | Internationally acclaimed and award winning Stage Director having presented and produced in leading opera houses around the world | Much sought after Master Teacher and Operalogue | Jury member for many international singing competitions and audition panels

Bernard Turgeon : “Music & the Mind”May 2 – 5, 2016

Inductee – Canadian Opera Hall of Fame (Opéra de Montréal), 2012 | Internationally renowned opera singer (baritone) that has enjoyed a career spanning more than 50 years singing principle roles in the leading opera houses around the world | Much sought after Voice Teacher and Master Teacher (eg.: Atelier Lyrique: L’Opéra de Montréal, Canadian Opera Company Ensemble) | Instigator and past administrator of several Opera Training Programs (i.e.: Banff Centre for the Performing Arts, University of Alberta – Edmonton, University of Victoria – Victoria, McGill University – Montréal) | NLP Master (Neuro-Linguistic Programming) and creator of the Master’s seminar “Music and the Mind” (McGill University), a discourse about the psychology of performance


Audition and Application deadline is February 19, 2016

  • Application is open to any nationality of candidate.
  • Participants are required to arrive at the first rehearsals with their assigned ensemble role(s) ready to perform from memory. Any artist not fulfilling this requirement risk their participation in the workshop.
  • All coachings, rehearsals, 36 hours of masterclass and a copy of the audio/video demo recording of the artist’s particular performance(s) in the concert are included in the tuition fee.
  • Venues:
    • All Masterclasses will be held at: Walter Carsen Centre (National Ballet of Canada), 470 Queen’s Quay West, Toronto, Canada
    • Gala Concert – Friday May 6, 2016 7:30pm – Glenn Gould Studio (CBC Toronto), 250 Front St. W., Toronto, Canada

TUITION: $900.00 CAD


  • Admission to the OperaFest workshop is by audition only.
  • Candidates should have completed their undergraduate training (minimum) or have professional experience to support their application.
  • Please email your Resumé, Repertoire List, Bio, Headshot to: info@manosinistra.ca , or send hard copies to: ManoSinistra | 40 Alexander St., Suite 1510 | Toronto, ON | M4Y 1B5.

** Out of town applicants may submit Youtube or Vimeo links of recent performances (within the past 6 months) in place of a live audition.

Great Lakes Region — Fall 2015 Newsletter

Click to view the original Fall 2015 newsletter in your browser


1) 2016 Regional NATS
Deadline: January 21, 2016

The 2016 Regional NATS auditions will be held on the campus of the Western University (formerly the University of Western Ontario) in London, Ontario on Saturday, February 27. Barbara Dunn-Prosser will serve as the site host.

Rather than using printed forms and mailing them in as we have done in the past, we will use natsauditions.com to register. I hesitated to ask another change of you, but I am told by the chapter officers for Indiana, Michigan, Ohio, and Ontario that you’re all using this for your chapter auditions anyway. Hopefully, there won’t be too many frustrations caused by moving to this for registration. I anticipate that registration will open up on December 21 and will close on January 21.

1. Login to www.natsauditions.com
2. You will see the following message:
Welcome to the Ontario NATS Chapter Audition Scheduling Website

What would you like to do?


  1. Select REGISTER STUDENTS FOR GREAT LAKES REGION4. Fill in forms the same way you did as for Chapter Auditions.

    5. Questions?  Email Brian Horne

As you probably know already, the national board of NATS voted to require all chapters and regions to conform to guidelines which will enable a smooth process for everyone who chooses to participate in the National Student Auditions.

Information about this new system has been distributed throughout the fall, but you can review it all here:


We will use this new system in February. I will write with more detail about this when the time comes, but for now please make certain – absolutely certain – that your travel plans enable you to arrive in time for the teachers’ meeting on Saturday morning the 27th at 9:00am.

Please note that teachers will be permitted to enroll students in a classical category AND a musical theater category OR the Hall Johnson Spiritual Category (explained below), but not all three.

2) Hall Johnson Spiritual Category

For the first time, there will be a Hall Johnson Spiritual Category included in Regional NATS. Entrants may enter their applicable “classical category” (sophomore women, junior men, etc.) AND the Hall Johnson Spiritual Category.

More information can be found here:


Please note that the age requirements for this are ages 17-23 only.

3) 2017 Regional NATS

Regional NATS will be held on March 4, 2017 at the University of Toronto, Toronto, ON.

4) 2015 NATS Intern program

The Great Lakes region was well-represented at the 2015 NATS Intern program held at the University of Nevada – Las Vegas. Mary Ann Hart of Indiana University was one of the four master teachers. Four of the 12 interns – chosen from a highly competitive pool of applicants – were from the Great Lakes region:

Maribeth Crawford – Walsh University in Canton, OH
Peter C. Keates – Wright State University in Dayton, OH
Linda McAlister – Miami University in Oxford, OH
Angela Young Smucker – Valparaiso University in Valparaiso, IN

5) 2015 NSA participants

The Great Lakes Region participants in the 2015 National Student Auditions were:

Shannon Barry of DePauw University, Greencastle, IN (student of Pamela Coburn) Blake Beckemeyer of DePauw University, Greencastle, IN (student of Caroline Smith) Ashlee Bickley (student of Keith Brautigam)
Logan Dell’Acqua of DePauw University (student of Caroline Smith)

Desiree Johnson of Bowling Green State University (student of Myra Merritt) Samuel Witmer of Ohio University (student of Debra Rentz)

6) 2016 NATSAA

As you know, the national board of NATS voted to incorporate changes to NATSAA beginning with the 2016 auditions. The primary change at this point is that the chapter round has been eliminated. The first round will now be at the regional level. This presents some benefits and some difficulties.

The benefits are that the costs to mount the auditions for the each of the chapters have been eliminated. There were costs to arrange for judges, venues, pianists, etc., and there will now no longer be a need for that. Unfortunately, for our region, this means that to enter and compete in even the first round means that someone from the region will have to have a passport. Either Canadians will have to cross the border (and, therefore, must have a passport) to compete, or Americans will have to cross the border, depending on the venue of the competition. There will be a more significant outlay of cash just to enter the first round.

Traditionally, the NATSAA regional finals have been held the night before the regional NATS auditions wherever they were to be held. I believe the hope was that this would become part of the event, but nearly no one attended because it meant having to arrive early, and most people don’t have that luxury.

I have decided to decouple these two events, so regional NATS will be held on February 27 in London, ON, and the regional NATSAA competition (now the first round) will be held on the campus of Oakland University in Rochester, MI in metro Detroit on April 2, 2016. Drake Dantzler, president of the Michigan chapter will act as the local coordinator. The deadline to apply is January 13, 2016. More information about repertoire and other requirements can be found here:


7) 2018 NATSAA

The NATS Board voted on and approved significant changes to NATSAA for the next round in 2018. Norman Spivey and Allen Henderson both advocated for a change of date for this, feeling that holding the competition in the summer limited the participation of high-level singers who have summer commitments with young artist programs. There was a great deal of conversation about this, but in the end the Board voted to move the NATSAA finals to a date in the winter. The exact details of this are yet to be set, but it is quite likely that the NATSAA finals and the finals of the National Musical Theater Competition will be held in New York in January, 2018. This, of course, means that the entire timeline will have to be moved up – for applications, regional competitions, etc.

Since I represent you on the national Board, I feel compelled to tell you that I was adamantly opposed to this change for a variety of reasons. I voted against this, but the motion passed with about 60% support nevertheless. I would be happy to speak with you about this if you should like to contact me (blhorne@indiana.edu; 812-855-2380), but for now this is the plan.

8) Upcoming opportunities

There are many opportunities for which the applications are due in December, January, or February. You can read more details about these here:


But, here is a listing of the deadlines:

NATS Intern Program: December 15, 2015
Emerging Leaders Awards: January 24, 2016
Joan Frey Boytim Awards for Independent Teachers: February 1, 2016 NATS Foundation Voice Pedagogy Award: February 15, 2016

Queen’s National Scholar: Music Theatre and Opera

The School of Drama and Music at Queen’s University invites applications for a Queen’s National Scholar (QNS) position in the area of Music Theatre and Opera from outstanding scholars and educators with passion, energy, and a strong vision for innovative interdisciplinary research and education. This is a tenure-track or tenured appointment at the rank of Assistant or Associate Professor, with a preferred starting date of July 1, 2016, subject to budgetary approval.

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